Hello folks,

Yes, before you ask I know the blog entries have been a little thin on the ground recently, but never fear, I’m never too far away with a quick update.

There’s lots going on at the moment (as always) and since Thriller Killer we’ve had a couple of engagements including an ill-fated acoustic show and a studio session.

First of all, apologies to people who turned up to the “While Other Bands Park Vans” gig, we had to pull the plug on that one due to technical issues that were not of our making. A shame because we’d worked hard on getting a set together for that show and I think it could have been really good. But despite turning up on time and trying out best to help out the impromptu sound engineer, we felt that the equipment provided wasn’t up to the job. So we didn’t play. In the event, it was pity because the place was pretty rammed. So muchos apologies but we’ll do another acoustic show later in the year all being well.

Onwards and upwards, as I frequently remark, and we have turned our attention to recording some new songs that have recently been invading our live set. So it was off to Noisebox studios on Easter Sunday to record some drummage, bassage and guitarage. Noisebox is one of those typical Manchester recording studios based in some freezing warehouse full of refitted PA speakers and studio gear from 1976, with limited comfort, electric heaters and massive spiders. We felt entirely at home. It was recommended too us by our friends “Orphan Boy” who recorded an album there. That evening, I started to put together some rough mixes of these two new tracks on the computer ready for electronic tweaking, string and wind parts, guitar overdubs and vocals. No idea when these tunes will be completed but I’ll be sure to post them up here for your entertainment.

Its nice to get back home and into the spare bedroom and knuckle down to some serious production because with all the gigs and the promotions, I actually haven’t had a lot of time spare, and in reality that is what I enjoy the most. The two new tracks are called “The Observatory” and “Invisible Man”. We’ve had “Invisible Man” since the Hard Rock Café gig, and “The Observatory” is the first decent tune from 2008 to appear from a clutch of ideas that came from Christmas writing sessions.

On top of that, we are still pottering around with ideas for the “In 2000” tune which I wanted to re-write due to having crap lyrics and a lack of direction, and there’s another newbie called “Goodnight, Goodnight” which I’ve just started to demo which I think might sound good – a sort of electronic Parklife/It Must Be Love cum 1920’s Ragtime. …Maybe…. Anyway, there are plenty of ideas floating around.

There are a few changes to the gig calendar – the date of the Glossop gig at the Moon and Sixpence needs to change – I don’t know when it’ll be yet, possibly August. Also, the headline show at the Ruby Lounge looks like it might have to move as well, and as this is a big event for us, I’ll be promoting this one to the max when I know the new date. Stay tuned for that one.

In the meantime, London fans need to know that we are playing The Troubadour on the 3^rd April – and that’s NEXT WEEK!! So I hope we’ll see as many of you as possible and please message me if you are coming so I can get all excited!! AND YOU CAN ALL WISH ME HAPPY BIRTHDAY IF YOU LIKE. Is that clear enough? Industry folk should get yourselves down that night too, and if I get chance I’ll be phoning round to make sure you’ve got it in the diary…so beware, the TMC bandwagon is on its way!

Incidentally, here’s a few records that I’ve been listening too this week that I love…and that have inspired recently written songs….

Blur -  “blur”  - It was never my favourite Blur album but I recently realised that the last three or four tracks are amongst the best ones they ever did – “Strange News Fro Another Star”, “Moving On” and “Essex Dogs”. I’ve got strong recollections of standing in a muddy field as Blur headlined at Glastonbury in 1998 listening to Essex Dogs and people not really getting it. I loved it, so screw them.

Crowded House – “Time on Earth”  - The latest CH album is full of classic songs with great lyrics, although the inclusion of the track “English Trees” is a mystery to me because its rubbish. Luckily, I love “pour le monde”.

Goldfrapp – “Seventh Tree” – Two or three tracks really stand out  - “Clowns”, “Happiness”, and the other one that I can’t remember the name of right now. But is it as good as “Felt Mountain”…. No. And will Mark ever stop singing “Only clowns will play with your balloons…” The boy has an obsession. Those goddamn Clowns!

Ben

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This week we have concluded much of the faffing around signing our first sychronisation deal with Faith and Hope records, trading as "Areebo". As you can see from the screen grab below, "Areebo" is a new idea from F+H to market various artists, both signed and unsigned, to the world of film, TV, advertising and computer games and works in a similar way to a traditional publishing deal. The deal is non-exclusive and can be halted with a months notice should a record deal come along or alternative publishing deal become possible. From our point of view, its a good way to try and generate some income while we continue to market ourselves to labels and develop our sound. It has also usefully been a good tool to harvest honest opinions from people in the music industry about what we are doing.

Areebo screen

Anybody wanting to use our material for synchronisation should pay this site a visit. I find it very user friendly, although at the moment it's very "faith and hope" artist orientated (as you might expect), and be sure to search for "This Morning Call" on the toolbar, as I'm not sure how great the "genre" and "mood" options are for searching for our tracks, we don't seem to meet any of the criteria! We have about 8 or 9 tracks up there at the moment, in various styles, ranging from pop songs, through to some ambient works, a dance track and even some classical music, credited to This Morning Call. We have made instrumental versions available of all tracks via this website as well.

In other news, we have our very first Camden show booked and ready to go this Saturday (1st December). Regular Voxers will probably know about this event already as it is being organised by IB - I'll leave the announcement proper until later in the week when we have stage times sorted and I know exactly where the venue is!! But watch this space and it would be nice to see some of you at the show suppoting us, and the wider Vox community, which this gig aims to showcase. And I've bought a new suit, so check me out!

Those of you with eager eyes will also have noticed that I've posted a demo of a new track up on our MySpace page - "Tides" - I think its good, but please feel free to leave comments and let us know what you think. The track is a bit Hot Chip/A-ha/Arcade Fire-ish - and Mark gets to show off his opera voice! It will no doubt appear on this blog as a genuine Columbia/RCA submission once we've had some feedback and I've tweeked the mix.

best wishes,

Ben

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Clockworks

This Morning Call

... Feedback appreciated.

Plus we have pimped up our profile a bit - logos, new pictures and radio interviews and stuff.

Next gig: 21st Oct, In The City @ Jabez Clegg, on stage 18:30, Manchester, UK

best wishes.

info@thismorningcall.co.uk

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